THIRD TRIAL
Trial III
From what you can see, all the lights in the opera house are turned on. Only when you enter and see the open doors that lead into the main theater, you can see that room's lights are currently turned off. It's very dark in there.
Like before, Rembrandt escorts everybody to the stage. In the dark you still can see the many blue-eyed things you may be getting used to. They're still very scared of Rembrandt, staying as far away from the assistant as possible. The stage is illuminated by the spotlights, the only light in this theater.
The Lady and Rembrandt are at their balcony. She stands up, addressing the group:
"After the fiasco somebody I won't name caused yesterday, I'm glad to see someone else had the courage to do what was needed. This time it's a valid murder. To the culprit: I wish you good luck, darling. Let's see you get away with this murder."
Someone seems to be pleased, unfortunately. Anything that makes the Lady pleased can't be good, can it?
Let the trial for the death of Olivert Reise Arnor and Sirius begin.
[OOC NOTE: From the halfway point of the trial and onwards, you'll have the option to ask the masterminds for the chance to get a hint! Be warned, though: the price will involve some body horror for your character. Keep that in mind when deciding to use this option!]

HINT REVEAL
My, I'm offended! Why would I keep away this valuable information from you all? [She fans herself with the envelope, nonchalant] I'm fully aware what it contains, of course. Not only I want to uphold my end of this deal, I also don't particularly care about the contents of this envelope. You all have the liberty to do whatever you want with it.
[With a cavalier wave of her hand, she tosses the envelope down, letting it spin towards the stage. It falls there, the top part of it already starting to get unglued. What could this envelope contain, that Shin says is information they should know and the Lady is fine with letting them know?
There are many pieces of paper inside, all of them large enough to be put back together without any effort. There's a backwards treble clef that looks suspiciously like a S, like someone tried to disguise the letter with that. The rest of the note, though, seems to be completely unrelated. Even its contents are puzzling:
If anyone looks up, they'll see the Lady watching them with an unmistakable smile of satisfaction on her face]
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[She leans on the edge of her balcony]
You'll see.
cw.... c...cannibalism...
Can I eat him? You can have his brain.
Re: cw.... c...cannibalism...
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[ BIGGEST OBSTACLE CLEARED? ]
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He knows he's damned, now. But he won't go out softly. With a beautiful woman seeped in blood. If only he could get a chance to work on one last project... But there's no time to, is there?]
Glad to see you're adaptable.
[Who knows? Maybe he'll actually see his brother again.]
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...You're sick.
[ There really was nothing he could think of saying to this? Damn. ]
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Did she say...anything else about that?
[ He hated this, just why. ]
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[So she has some standards.]
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[CUMORE.]
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[Well! That's new.]
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[tf are batteries - he gets the basic idea, at least?]
I don't know much about it, just what I was told.
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Could this place get any more revolting?
[ Don't answer this. ]
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[IT’S REAL “I DON’T KNOW WHETHER I AM FURIOUS OR READY TO CRY IN DESPAIR” HOURS]
I am not even surprised, I am just so tired.
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[He didn’t even change expression. But like. Considering he knows Zangetsu and what Zangetsu’s doing right now and also everything this week that’s probably not all that surprising. #justHollowthings]
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I do still enjoy talking to her, it's just a bit of an experience.
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[Like it's somehow a kind of failing or something.]
I find her tedious.
[And noisy, but he should probably give up on getting peace and quiet of any kind at this rate. Maybe he's just stubborn.]