FIFTH TRIAL
Trial V
From what you can see, all the lights in the opera house are turned on. Only when you enter and see the open doors that lead into the main theater, you can see that room's lights are currently turned off. It's very dark in there.
Like before, Rembrandt escorts everybody to the stage. In the dark you still can see the many blue-eyed things you may be getting used to. They're still very scared of Rembrandt, staying as far away from the assistant as possible. The stage is illuminated by the spotlights, the only light in this theater.
The Lady and Rembrandt are at their balcony. She stands up, addressing the group:
"If you don't make this trial go like I want it, every single person in this room is getting vivisected!"
It has been a couple hours and she's still furious. It doesn't seem like her mood is going to improve anytime soon...if ever. Behind her, Rembrandt doesn't seem very impressed with her gratuitous threat. At least she probably won't get to make good on that threat, hm?
Let the trial for the death of Dist the Rose begin.
[OOC NOTE: From the halfway point of the trial and onwards, you'll have the option to ask the masterminds for the chance to get a hint! Be warned, though: the price will involve some body horror for your character. Keep that in mind when deciding to use this option!]
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Why would Mikami break glass and then clean it up on purpose? Why wouldn't he just leave it there if his goal was to frame someone?
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Rean, Seteth. Are you absolutely certain Dazai wasn't alone at any point?
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This was really the one night I spent so much time in his company too, and I would've noticed if Dazai had left. Seteth too.
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That thing Cumore mentioned before—about the walls and figures. Do you need to break a glass for that?
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There would have been no reason to break glass there.
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The glass was honestly probably used to silence the room. It would explain why nobody heard gunshots, at least.
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It could be used in practice, too, I suppose, if one wanted to keep that a secret.
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But again, I am not entirely sure how much of a factor that could be.